Wednesday, June 20, 2007

Hero's Journey, Monomyth (188 Stages) Screenwriting Tools, Structure Secrets

FORWARD

The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 STAGE HERO'S JOURNEY:

a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

(simply go to http://www.heros-journey.info/ for full details)

*****Ultimate Boon*****

The Ultimate Boon is not necessarily for the Hero only. In Straw Dogs (1971), Janice kisses Henry.

*****Origin of Backstory*****

The Hero embarks on the Journey and Transformation, not to gain a capacity, illumination, power or balance, but to regain it. It is not the attainment of a capacity that helps the Hero conquer his (or her) challenges but the reattainment of it. The backstory should be viewed as the moment when that capacity was lost and everything that led up to this point.

As such, the backstory is often where the Hero's Inner Challenges are made explicit. In Silence of the Lambs (1991), Clarice's story really begins with the lamb (which she recites to Lecter). In Midnight Cowboy (1969), Joe Buck's story begins when he is abused and his girlfriend is raped. In An Officer and a Gentleman (1983), Zach's story begins when his mother commits suicide.

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