How to Write Book Proposals Like Jean-Paul Sartre

Biographers of Jean-Paul Sartre have got universally acknowledged that he was a multi-talented author who wrote philosophy, fiction, nonfiction, and drama. They have got also pointed out that he had two secrets which few other authors used in their calling with such as success. His first secret was an improbable one. In a word it was Simone Delaware Beauvoir, his long-time lover.

HOW TO use Type Type A friend arsenic A COLLABORATOR

Simone Delaware Simone De Simone De Beauvoir constantly critiqued Sartre's work. In fact she claimed she wrote big parts of Being and Nothingness. Jean-Paul Sartre got all the credit, but there is no uncertainty that she helped him in many ways. According to biographer Annie Cohen-Solal, Simone De Simone De Beauvoir "provides Jean-Paul Jean-Paul Jean-Paul Sartre with day-to-day support; he never prints a ms that have got not first passed through her hands, that have not first been criticized and approved by her." (Sartre: A Life, p. 378.)

You don't have to trust so completely upon a confederate as Sartre relied upon Beauvoir, but having person to resile thoughts off of tin certainly be helpful. It can do your book proposal easier to compose because you'll acquire contiguous feedback. I urge asking a friend or concern associate to read over your work before you direct it to a literary agent.

SARTRE'S 2nd SECRET

Sartre's second secret can be even more than helpful to a author workings on a book proposal. Remember that your book proposal will never be read by anyone except your literary agent, editor, and the in-house team at the publisher. It will never be published. Also, it is not your book, it is simply a verbal description of your book and its market. For this reason, authors are not usually very enthusiastic about book proposals. They often experience ambivalent about them.

"It's not my best work," they state to themselves. "I experience like I'm wasting my clip when I work on it. I wish I could just work on my book, not on this #@!^&* book proposal."

That feeling is apprehensible and universal, but expression what Jean-Paul Sartre did. In many of his books he wrote horrid prose. It was his thoughts that electrified the world. The prose he used in Being and Nothingness, for example, is often convoluted and turgid. It makes not flow, it is awkward, and it sounds atrocious when read aloud.

Sartre's secret was that he wrote it anyway, as the thoughts came into his head, putting them down on paper like a bricklayer constructing a wall. Brick by brick, word by word, with hardly a idea as to style, meter, music or beauty. The thoughts were the beautiful thing. And that is his secret. Forget trying to compose beautiful prose. Put aside your poetic nature. Axial Rotation up your arms and dip right in, writing the thoughts that you happen meaningful and important.

SARTRE'S STYLE

Sartre would typically sit down in coffeehouses and write. Often he was distracted by yak from other frequenters and the noise of traffic. A batch of this crept into Being and Nothingness. Many of his anecdotes, for example, are put in a cafe, and he constantly composes about waiters. Because of these distractions, he often wrote sentences that would do a composition instructor outcry -- really pathetic prose. But he always managed to come up up with some superb ideas. And this should be your attack to the book proposal. Don't concentrate on style, focusing on ideas. That doctrine will put you free. Then when you finally make acquire a contract, you can decelerate down and take your time, making certain the book sounds much better than the book proposal.

SARTRE'S book PROPOSAL

Sartre had a 3rd secret for authorship a book proposal, but it's not one Iodine would recommend. He was working on a proposal for a book about the human imagination, and he decided to look into the delirious mind. In order to make this he wanted to seek mescalin. Instead of smoke it like most people, he had a physician shoot it into his arm. He promptly had a bad trip and concluded that the experimentation didn't work for him. (Cohen-Solal, p. 102.)

It's heartening, though, to believe that Jean-Paul Jean-Paul Sartre also worked on book proposals, isn't it? And it's good to cognize he used two techniques that helped him with the process: working with a confederate or critic, and authorship for the thought not for the style. By using these two secrets you'll happen that your work on a book proposal travels much faster and is completed in record time.

Copyright © 2007 William Cane